DOI: 10.7256/2454-0625.2017.2.19072

Abstract: The subject of the research is the synesthesia aspect of the art thinking of romantic composers. Through detailed analysis of the creative heritage of Robert Schumann, Frédéric Chopin and Johannes Brahms as well as other composers of the romantic epoch the author examined the phenomenon of synsthesia in terms of historical and cultural environment. The author also analyzed issues related to understanding the processes of developing and interpreting an artistic image which actualizes not only one's cognitive abilities but also his or her perceptive emotional experience. The researcher also examined the interrelation and interdependence of perceptive and affective evaluations of musical compositions. The research is based on the systems approach as well as the method of theoretical generalization and comparison. The author also used a specific interdisciplinary and historical approaches. In her research Zaitseva defines synesthesia grounds in the art thinking of romantic composers of the 19th century. Based on the analysis of the epistolary and critical heritage of romantic composers the author was able to define particularities of synesthesia display in their art thinking. The author also proved the importance of visual, tactile, tasteful, and kinesthetic sensations in the processes of the meaning and image creation. 

DOI: 10.7256/2453-613X.2015.4.16924

Abstract: This article is dedicated to the research of the peculiarities of the interpretation of the choral genres in the work of Arthur Lourié. As a result of the conducted musicological analysis, the authors determine the role of the composer’s work in the musical culture of the early XX century, and define the innovative attempts of aligning the expressional capabilities of the symphonic and choral scores, aimed at strengthening the coloristic and expressional capabilities of the choral sound. It is substantiated that the symphonization represents the dominant principle of development of the musical dramaturgy of the symphonic cantata for mixed chorus a cappella “In the Temple of Golden Dreams” of peculiarities of the interpretation of the choral genres in the work of Arthur Lourié. The authors prove that in the cantata the lyrical-dramaturgical principle of symphonism is realized at the level of musical dramaturgy and system of expressional means. They substantiate that peculiarities of the interpretation of the choral genres in the work of Arthur Lourié uses the methods of monothematic development and creates a system of thematic arches, which contribute to the structurization of the musical material and establish the opening intonation-impulse; he also implements innovative methods that help align the expressional capabilities of the choral and orchestral scores.

DOI: 10.7256/2453-613X.2015.4.40203

Abstract: This article is dedicated to the research of the peculiarities of the interpretation of the choral genres in the work of Arthur Lourié. As a result of the conducted musicological analysis, the authors determine the role of the composer’s work in the musical culture of the early XX century, and define the innovative attempts of aligning the expressional capabilities of the symphonic and choral scores, aimed at strengthening the coloristic and expressional capabilities of the choral sound. It is substantiated that the symphonization represents the dominant principle of development of the musical dramaturgy of the symphonic cantata for mixed chorus a cappella “In the Temple of Golden Dreams” of peculiarities of the interpretation of the choral genres in the work of Arthur Lourié. The authors prove that in the cantata the lyrical-dramaturgical principle of symphonism is realized at the level of musical dramaturgy and system of expressional means. They substantiate that peculiarities of the interpretation of the choral genres in the work of Arthur Lourié uses the methods of monothematic development and creates a system of thematic arches, which contribute to the structurization of the musical material and establish the opening intonation-impulse; he also implements innovative methods that help align the expressional capabilities of the choral and orchestral scores.

DOI: 10.7256/2454-0722.2014.11.13378

Abstract:

DOI: 10.7256/2306-0425.2014.5.13379

Abstract: Article is devoted to an updating subject the sinesteziynykh of bases of esthetic consciousness in the theory and art practice of the Latest time. By the author it is revealed that at the present stage of development art develops under the influence of sociocultural realities of the information society which is formed in the conditions of globalization: scientific and technical revolution, expansion of mass culture, large-scale escalation of mass and media forms, processes of virtualization of society and culture. It is proved that the main tendency of art of a postmodernism is the embodiment the sinesteziynykh of ideas in the synthesized art objects based on a priority of the visuality causing all complex of means of expression. In article the method of the system analysis and logical modeling - for explanation of identification of the reasons of emergence of experimental types and new genres of the modern art and identification the sinesteziynykh of bases of their perception is used. In article it is proved that development and improvement of technologies introduces amendments in area of functioning of synthetic art genres, subordinating them to "a tendency of the worsening selection". Art projects of the second half of the XX century or follow on the way of commercialization and degradation of art, the appeal to pop culture and marginal art, or try to become an alternative way of a survival and continuation of experimental ideas of vanguard, on the basis of a sinesteziya, introspection, reflections to develop and improve sensual and cognitive abilities of the person.