Образ «Прекрасной Дамы» в оперном театре на примере творчества Н. А. Римского-Корсакова

Матвеева Алина Игоревна

doi:10.7256/2454-0625.2016.4.19032


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Culture and Art

Reference:

Krapiva A.I. The Image of "Beautiful Lady" at Opera Theater Based on the Example of Nikolay Rimsky-Korsakov's Creative Work // Culture and Art. 2016. № 4. P. 535-541. DOI: 10.7256/2454-0625.2016.4.19032 URL: https://en.nbpublish.com/library_read_article.php?id=19032

Образ «Прекрасной Дамы» в оперном театре на примере творчества Н. А. Римского-Корсакова

Krapiva Alina Igorevna

graduate (holder of a Bachelor's degree) from the Department of Solo Singing and Opera Performance at Far Eastern State Academy of Art, Master's degree student of the Department of Academic Singing (Opera Performance) at Moscow State Institute of Culture

690014, Russia, Primorskii krai, g. Vladivostok, pr. Krasnogo Znameni, 121, kv. 115

kalibri001@mail.ru

Other publications by this author

Article was published in rubric "Music and music culture"

DOI:

10.7256/2454-0625.2016.4.19032

Received:

03-05-2016

Published:

17-09-2016

Abstract: The object of the research is the opera writing by Rimsky-Korsakov through revealing fantasy female characters in the fairy opera tales "Sadko", "The Tale of Tsar Saltan", "Kashchei Immortal", "The Golden Cockerel", and "The Legend of the Invisible City of Kitezh". Man's understanding of the beautiful had always gone hand in hand with art which, in its turn, is one of the finest manifestations of the society's culture as well as an inexhaustible topic for research. In this paper Krapiva investigates the best traditions of Russian opera and imaginative realm of "Beautiful Lady" in the works of Nikolai Rimsky-Korsakov. The author describes common features of idealized images of beautiful ladies in creative works created by poets and philosophers and how these images are shown in the composer's fairy plots. The methodological basis of the research includes the materialistic theory of knowledge. In the course of the research the author has also used general research methods such as analysis, synthesis, historical-artistic, comparative and systems-structural analysis. The author concludes that analysis of the image of "Beautiful Lady" embodied in the fabulous female characters in Rimsky-Korsakov's opera allows performers (singers and actresses) to come to a better understanding of the vocal part and is necessary for the realization of bright beautiful female characters in opera.

Keywords:

the image of Beautiful Lady, Rimsky-Korsakov, fairytale opera, Russian opera, female characters, vocal understanding, art, music, World Art, imaginative sphere

References

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