MAIN PAGE
> Back to contents
Culture and Art
Reference:
Bayarsaikhan S.B.
Peculiarities of Saxophone Interpretation in Symphony Orchestra Works
// Culture and Art.
2016. № 4.
P. 498-502.
DOI: 10.7256/2454-0625.2016.4.19296 URL: https://en.nbpublish.com/library_read_article.php?id=19296
Особенности трактовки саксофона в произведениях для симфонического оркестра
Bayarsaikhan Sukh-Ochir Bayaduud
adjunct of the Department of Instrumentation and Music Scores Reading at Military Institute (of Military Bandmasters) of the Military University
125284, Russia, g. Moscow, ul. Komsomol'skii Prospekt, dom 18/1
|
b_syhee@mail.ru
|
|
|
Other publications by this author |
|
|
DOI: 10.7256/2454-0625.2016.4.19296
Received:
26-05-2016
Published:
17-09-2016
Abstract:
This article is devoted to one of the important problems of instrumentation which is not yet explored – the problem of saxophone interpretation. It also reflects the basic scientific result of the master’s thesis under the same title. Based on the analysis of numerous works of composers living in different countries and different epochs as well as academic literature on the theory and practice of instrumentation, the author of the article discovers methods, peculiarities and trends in using a family of saxophone instruments in symphony orchestra compositions. The research was conducted based on the analysis of music scores of both applied and autonomous nature. The research covered only music pieces that had one or more saxophone parts. In the course of analyzing music scores, the author has traced back and defined peculiarities, methods and trends of orchestra saxophone interpretation typical for both the composer's individual style and the style of a particular culture-historical epoch. As a result of the research, the author has integrated data on interpretations of saxophone as an ochestra instrument. The author has also described how saxophone became famous in different countries and genres of music. Being used in French opera initially, by the beginning of the 20th century saxophone became famous with the composers from other countries and genres of music. In the process of the research the author has also defined peculiarities, methods and trends in the interpretation of saxophone as a symphony orchestra instrument.
Keywords:
saxophone, saxophone interpretation, saxophone solo, orchestra, element of the orchestral texture, works, symphony orchestra, family of saxophones, composer, French composers
References
1. Berlioz G. Bol'shoi traktat o sovremennoi instrumentovke i orkestrovke v dvukh tomakh. M.: Muzyka, 1972. T. 2. S. 494.
2. Glinka M. Zametki ob instrumentovke // M.I. Glinka. Polnoe sobranie sochinenii. Literaturnye proizvedeniya i perepiska v 2 tomakh (komplekt iz 3 knig). T. 1. M.: Muzyka, 1973. S. 179-181.
3. Gevart F. Rukovodstvo k instrumentovke // P.I. Chaikovskii. Polnoe sobranie sochinenii. T. III-b / Tom podgotovlen Vl. Protopopovym. M.: Gosudarstvennoe Muzykal'noe Izdatel'stvo, 1961. S. 347-349.
4. Kars A. Istoriya orkestrovki. M.: Muzyka, 1990. C. 296.
Link to this article
You can simply select and copy link from below text field.
|