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Culture and Art
Reference:
Pronkina A.
The Systems Approach to Understanding the Essence of Mass Culture. Part 2.
// Culture and Art.
2016. ¹ 5.
P. 608-615.
DOI: 10.7256/2454-0625.2016.5.20170 URL: https://en.nbpublish.com/library_read_article.php?id=20170
Ñèñòåìíûé ïîäõîä ê ïîíèìàíèþ ñóùíîñòè ìàññîâîé êóëüòóðû. ×àñòü 2.
Pronkina Anna
PhD in Cultural Studies
Docent, the department of Culturology, Ryazan State University for S. A. Yesenin
390000, Russia, Ryazan, Lenina Street 20, office #17
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a.pronkina@rsu.edu.ru
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Other publications by this author
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DOI: 10.7256/2454-0625.2016.5.20170
Received:
21-08-2016
Published:
28-10-2016
Abstract:
The subject of this article is the possibility and objectivity of the systems approach applied to the identification of the ontological essence of the phenomenon of mass culture that is understood by the author primarily as a form of the historical development of fundamental culture, systemic modification of the whole fixing the way to connect its separate structures with each other as well as the coherence of cultural systems depending on their functions and purposes in the movement of culture across space and time taking into account the relationship with other systems (people, society, nature). In this regard, the main scientific and theoretical basis of the article includes cultural and philosophic views of the famous Russian scientist M.S. Kagan expressed in his fundamental work "Philosophy of Culture" (1996). Noteworthy that activity grounds of culture relate to its iconic apperception and all of its space relates to the global semantic structure of subjects, objects, outcomes, processes, institutions that are also in one way or another reflected in a significant number of researches (for example, the interpretation of culture by E.A. Baller, V.P. Vizgin, V.E. Davidovich, Yu.À. Zhdanov, V.J. Kelle, Yu.M. Lotman, M.K. Mamardashvili, E.S. Markarian, A.A. Pilipenko, I.G. Yakovenko, etc.). This creates a syncretical research organum designated not just to identify the fact of culture itself but also to reveal the structural semantic grounds that define its multi-dimensional existences. The novelty of the research is caused by the fact that proving the idea of the need to conceptually establish the limits of the systems cultural references within the framework of its diachronic and synchronic grounds, the author makes an attempt to clarify the historical importance and purpose of the phenomenon of mass culture by the means of the systems approach. The author also clarifies terms 'mass culture' and 'masses'.
Keywords:
culture, systems approach, mass culture, 'mass', form of culture, dynamics of culture, tradition, innovation, vectors of culture, theory of culture
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