MAIN PAGE
> Back to contents
Culture and Art
Reference:
Denisov, A. V.
About the Phenomenon of Travesty
in Musical Art
// Culture and Art.
2012. № 4.
P. 90-94.
URL: https://en.nbpublish.com/library_read_article.php?id=61226
Denisov, A. V. About the Phenomenon of Travesty
in Musical Art
Abstract:
This article is an attempt to analyze principles
lying in the basis of musical travesty as an artistic device. The
author of the article considers general mechanisms of travesty
and concrete musical means causing its formation as well
as functions of travesty in musical art. The main principle of
travesty is the structural and semantic inversion of the initial text.
Travesty interpretations of the original is usually performed on
the account of parallel actions between intra-and inter textual
relations – certain mutual coordination of travesty elements
as well as ‘comparison’ of this text with the original. Concrete
implementation of inversion can be connected with a certain
organization of intonation structures in musical text and its
meaning beyond music. Based on concrete examples, the author
views the main methods of travesty in music – deformation and
agglutination. The author also shows the role and functions of
musical travesty in terms of history and culture. In particular, the
principle of travesty inversion are compared to the phenomena of
idealization and mythologize which accompanies one another in
the process of cultural development.
Keywords:
history of art, travesty, text, music, culture, semantics, structure, inversion, deformation, agglutination.
This article can be downloaded freely in PDF format for reading. Download article
This article written in Russian. You can find original text of the article here
.
References
1. Bakhtin M. M. Problemy poetiki Dostoevskogo. M., 1972. 471 s.
2. Bonfel'd M. Parodiya v muzyke venskikh klassikov // Sovetskaya muzyka. 1977. № 5. S. 99102.
3. Vinogradov V. V. Stil' Pushkina. M., 1941. 620 s.
4. Darkevich V. P. Narodnaya kul'tura Srednevekov'ya: Parodiya v literature i iskusstve IXXVI vv. M., 2004. 328 s.
5. Zhirmunskiy V. M. Vvedenie v literaturovedenie. M., 2009. 464 s.
6. Tynyanov Yu. N. Dostoevskiy i Gogol' (k teorii parodii) // Tynyanov Yu. N. Poetika. Istoriya literatury. Kino. M., 1977. S. 198226.
7. Freydenberg O. M. O proiskhozhdenii parodii // Uchenye zapiski Tartuskogo universiteta: Vyp. 308: Trudy po znakovym sistemam: Vyp. 6. Tartu, 1973. S. 490-497.
8. Tsuker A. Osobennosti muzykal'nogo groteska // Tsuker A. Edinyy mir muzyki: Izbr. stat'i. Rostov-na-Donu, 2003. S. 1426.
9. Parodies: An Anthology from Chaucer to Beerbohm. N. Y., 1960. 574 p
Link to this article
You can simply select and copy link from below text field.
|