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Culture and Art
Reference:
Pereverseva, M. V.
Open Form in Literature and Music: to the
Dialogue with Umberto Eco
// Culture and Art.
2012. № 5.
P. 75-81.
URL: https://en.nbpublish.com/library_read_article.php?id=61409
Pereverseva, M. V. Open Form in Literature and Music: to the
Dialogue with Umberto Eco
Abstract:
At the beginning of XX century the idea
of mobility and uncertainty of formerly stable and Þ xed artistic form becomes very popular. During the
second half of XX century Umberto Eco’s conception
of esthetics acquires a bright representation in a
music mobile and aleatorics development. Syntax
inconsistency and semantic disintegration in Joyce’s
works inspired Cage and Beriot to create uncertainty
in composition and performance of music. Form
of labyrinth was also shown in Boulez’ and other
authors’ works. Before changing forms were quite
rare in music and usually caused y these or those
circumstances and traditions of music performance.
Music mobiles and aleatorics were a typical tendency
in art of XX century though – the tendency of
individualization of music and structure when each
performance had a unique structure and reß ected
the author’s approach. Mobile form due to accident
inß uence has led to far-reaching consequences and
open form of music-in-movement resulted in a search
of structural decisions and development of innovative
strategies of form generation. This is the topic the
given article is devoted to.
Keywords:
art history, open, form, mobile, aleatory music, improvisation, composition.
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