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Reference:
Peshkov, D. I.
Martin Adan:
at the Origins of Baroque Concepts
in Latin American Culture of the 20th Century
// Culture and Art.
2014. № 6.
P. 696-701.
URL: https://en.nbpublish.com/library_read_article.php?id=65707
Peshkov, D. I. Martin Adan:
at the Origins of Baroque Concepts
in Latin American Culture of the 20th Century
Abstract:
The article gives us an insight into one of the first Baroque concepts in Latin American
cultural and literary studies introduced by a famous Peruvian modernistic poet Marin Adan. The author
tries to analyze this understudied point in the history of Latin American humanities and relates
Adan’s ideas to famous Baroque concepts in Latin America of the second half of the 20th century. The
author also tries to describe the most important discoveries made by Adan that played an important
role in cultural self-identification of Latin America. In the course of his research the author proceeds
from particulars to generals and tries to describe the influence of Martin Adan’s work ‘De lo Barocco en
el Peru’ (‘Concerning the Baroque in Peru) on the development of Baroque concepts in Latin America.
Martin Adam’s ideas are being analyzed in comparison wit other Baroque concepts. Considering the
increased interest of modern cultural studies towards the phenomena of Baroque and Neobaroque
Adam’s work is growing very important because he was the first one to try to view the key stage of
Latin American culture in terms of Baroque esthetics. The author of the present article tries to show
the importance of Adan’s ideas for future Baroque concepts in Latin America and demonstrates that
Adam’s ideas can be related to the theories of Jose Lezama Lima, Alejo Carpentier and Irlimar Kyampi.
Keywords:
Concept, cultural research, Baroque, Latin America, Martin Adan, classification, modernism, avant-gardism, phenomenon.
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References
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