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Philosophy and Culture
Reference:
Panaiotidi E.G.
// Philosophy and Culture.
2012. № 1.
DOI: 10.7256/2454-0757.2012.1.5262 URL: https://en.nbpublish.com/library_read_article.php?id=5262
Музыкальная выразительность: свойство или «неустранимая метафора»?
Panaiotidi El'vira Georgievna
Doctor of Philosophy
Professor, the department of General Humanitarian and Historical Sciences, North Ossetian State Pedagogical Institute
362003, Russia, Vladikavkaz, Marksa Street 36
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eidos5@yandex.ru
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Other publications by this author |
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DOI: 10.7256/2454-0757.2012.1.5262
Received:
18-12-2011
Published:
1-1-2012
References
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Budd, Malcolm. Aesthetic Realism and Emotional Qualities of Music // British Journal of Aesthetics 45 (2), 2005. P. 111-122.
Davidson, Donald. What Metaphors Mean // Inquiries into Truth and Interpretation, Oxford: Clarendon, 1982.
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Kivy, Peter. The Corded Shell: Reflections on Musical Expression. Princeton, N. J.: Princeton University Press, 1980.
Scruton, Roger. The Aesthetic Understanding. Essays in the Philosophy of Art and Culture. Manchester: Carcanet Press, 1983.
Scruton, Roger. Musical Movement: A Reply to Budd // British Journal of Aesthetics 44 (2), 2004. P. 185-186.
Scruton, Roger. The Aesthetics of Music. Oxford: Oxford University Press, 1997.
Scruton, Roger. Replies to Critics // British Journal of Aesthetics 49 (4), 2009. P. 451-461.
Zangwill, Nick. Metaphor and Realism in Aesthetics // Journal of Aesthetics and Art Criticism 49 (1), 1991. P. 57-62.
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