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Philosophy and Culture
Reference:
Marievskaya, N. E.
Circular Time in the Structure of a Piece
of Cinematographic Art
// Philosophy and Culture.
2014. ¹ 10.
P. 1405-1415.
URL: https://en.nbpublish.com/library_read_article.php?id=65532
Marievskaya, N. E. Circular Time in the Structure of a Piece
of Cinematographic Art
Abstract:
The subject under review is a temporary form of a piece of cinematographic art. Artistic time continuum is
viewed as the subject of synthesis and work material for creating a film. The author of the article makes a conclusion
about the need to include the circular time into the pattern of the plot that has the conflict driving its internal
development and goes through the thee stage – the exposition, development of the storyline through conflict to the
climax and the falling action (resolution of the conflict). The authors shows that the circular time dominating in the
plot creates a generalization which is very close to what a mythological consciousness deals with when particular
sensual experience is tuned into a sign. The concept of the artistic time continuum is based on the ideas of Saint Augustine
and Pavel Florensky. For the first time in the theory of cinematograph the artistic time is viewed as the subject
of synthesis and working material for creating a piece of cinematographic art. The author of the article describes the
importance of the circular time continuum for the plot. The circular time continuum creates the general outline of
the storyline. Cyclicity is viewed as a result of existential issues being solved by human. Description of the role of the
circular time in the structure of a piece of cinematographic art has allowed to view the terms ‘peripeteia’ and ‘plot
pattern’ differently.
Keywords:
artistic time continuum, circular time, theory of dramatic art, plot, plot pattern, peripeteia, piece of cinematographic art, eternity, non-linear time, dynamic process.
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